murdering some but not all of the music



I had a weird day at church yesterday. I began the day off-balance. I think I was 1/3rd sick with a cold, 1/3rd slightly hungover & 1/3rd physically exhausted. The upshot was that I felt pretty awful and didn’t really realize it.

I hate to report that I murdered the organ prelude.

I was looking forward to playing Parry’s lovely little piece based on the melody, Rockingham. Unfortunately, I began the l.h. melody as it was written after having previously decided to play it down an octave. This threw me off at the beginning of the piece. It was pretty much downhill from there as my mind raced with trying to figure out whether I should improv and a few measures and begin the piece correctly or continue.

In the meantime I began hitting wrong notes. Which of course threw me off further. I continued with the melody in the wrong octave for two phrases. At that point I decided it would be logical to begin to play it in the right octave. If not logical at least this would not do violence to a rendition of the piece.

I continued to play an occasional wrong note…. a few of them (unforgivably!) in the melody. Bah! I never fully recovered the sense of the piece.  How disappointing, but sometimes these things happen especially when you perform in public as much as I do.

"Some times you eat the bar, sometimes the bar eats you."

The good news is that this was the worst part of the service musically.

I had five cantors sing the Great Litany at the beginning of the service as planned and that went splendidly. The choral anthem came off nicely. The congregation responded well throughout the service and sang lustily. I dropped out of the sequence hymn several verses before the end and the congregation carried it in four part harmony.

By the time the postlude was nearing, I had fully realized that I was operating at about 1/4th capacity. Unfortunately, the postlude was the most difficult thing I had scheduled for the morning.

Not only was the second half of Jan Bender’s setting of the melody of the closing hymn a bit tricky. I had decided to alter his piece to reflect a later version of the melody. This was the version the congregation would have just sung. I figure if the idea is to be musically coherent with my instrumental organ pieces, it would help if the listener could easily perceive the connection. So throughout Bender’s piece, I rehearsed changing the 3 note basic building block of the music to reflect the melody just sung by the congregation.

erhaltuns
Diagram of the relationship of the 1543 melody to the later version and how Jupe made his life harder yesterday by changing the postlude to reflect this difference.

Here’s the first page of my copy. If you look closely you can just see where I have penciled in this change beginning in the “Lively” section.

erhaltunsbender

So this part of the story has a happy ending. I nailed it (as I like to say). Despite feeling poorly, I played this piece very well.

Then went on a gave a good post-service rehearsal with my choir.

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Dijkstra's algorithm
TODAY'S LINKS

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China’s Crackdown on Rights Defenders Intensifies – NYTimes.com

Once again while reading an article on Chinese atrocities I run across a quote from Jerome Cohen, boss of my quasi-son-in-law, Jeremy Daum.

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Illinois Bans Capital Punishment – NYTimes.com

I am encouraged when I see the State decide not to take a life.

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The Public Editor Joins the Cocktail Party « @palafo

This is the full email interview given by Patrick La Forge, editor for news presentation at the NYT, to Arthur Brisbane, Public Editor of the NYT. La Forge talks about how he sees and uses Twitter. Much more interesting than Brisbane’s subsequent article.

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Data Overload Has Economic Costs – NYTimes.com

Yikes! Internet use causes pollution! (who knew?)

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The Bridge, Palm Sunday, 1973- Poets.org – Poetry, Poems, Bios & More

86. Crossing Brooklyn Ferry. Whitman, Walt. 1900. Leaves of Grass

Two lovely poems about “bridges” I found linked in Bridges of the East River Inspire Poetry – NYTimes.com

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– Atonality.net

I found music by the oboist, Heinz Holliger, here. Very interesting.

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ash wed in the street – sara miles

Yikes! I found myself reading this religious article after emailing the link to my boss. Help! I’m getting religious again! No! No!

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Recipes | Sullivan Street Bakery

This is a link to a bread recipe with no kneading but you have to put it together the night before.  Planning to use this sometime when I have an upcoming morning free.

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Montaigne’s Moment – NYTimes.com

Did you know the word “essay” was coined by Montaigne? I didn’t. This article is an essay on essays.

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Music without words is poop. Discuss… | Chamber Musician Today

I love the title.

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3 thoughts on “murdering some but not all of the music

  1. I like the article about Sara Miles. There’s a church in NYC that has done that except I think they just stayed on their own street corner. I’ve thought about doing it sometime. A way to take church to the streets and a lot less stupid than the oft done carrying the cross on Good Friday. Or the horrid 3 hour preach fest. Do you know if Sara Miles has a blog? I’d say ask .Jen but my guess is she wouldn’t know. Maybe Beth?

  2. I love the article links…nicely curated commentary for me to read!

    The no-knead bread recipes are really wonderful. I mix a double two-loaf batch and let it rise for a few hours, then store it in the fridge till I want fresh bread. It can be ready in as little as an hour with almost no fuss.

  3. Mark – I follow Sara Miles page on Facebook. I “messaged” you on Facebook about this and also pointed to her website: http://www.saramiles.net/ As I said in my “message” I don’t see a blog for her. She does, however, post things like a link to that article there.

    Nick – Glad to hear about the no-knead. I probably tediously blog about it when I do it….heh…

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