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another vacation? what about all that stuff I have to do?

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I just realized yesterday that Eileen and I have one more vacation time planned next week. We are meeting our friend Barb at a cottage north of here she rents every year around this time (pictures above and below from last year). It was a very relaxing time last year. This year however I am feeling pressed with church job related duties like recruitment letters and filing years worth of choral music. The only way I can justify going away is if I can bear down and get a bunch of this stuff done before we leave next Wednesday.

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I can’t believe I forgot this was coming. I’m planning on sheepishly taking up my lovely wife’s offer to help me file music on her day off.

Yesterday I got hung up on Charles Stanford’s music. I downloaded and printed up his “Ballade” for piano. Lovely stuff. As I have been learning his Fantasia on Engelberg for Sunday I have been struck with the skill with which this piece is written.

Yesterday I learned that he was renown in his time and was a friend of Brahms (whom he outlived) and the famous violinist Joachim. Apparently he was accused of being too much under Brahm’s influence as a composer.

I am struck by the lyricism I found in his Ballade.

I made up a playlist of a few of his works to treadmill by.

His Irish Rhapsody number four was on the list. This music doesn’t really strike me as Brahmsian. There are a few minutes in the piano Ballade which are reminiscent of Brahms, but I think that Stanford is his own composer.

He wrote some piano trios which I am looking at for possibly playing through with my trio.

A Bard Music Festival Weekend of Saint-Saëns – NYTimes.com

This article made me think of my other weird attraction this summer. I guess the Bard Music Festival tries to perform music that isn’t on the playlist of most orchestras or classical music groups.

I wonder if they will do a Stanford festival sometime. Probably not.

I was thinking this morning about musical prejudices. When I was first getting to know the Episcopal scene I remember an influential leader who was on the Hymnal 1982 editorial board disparaging the work of Alec Wyton. She said something like I do love “Alec” but his music….. (significant pause and arch look).

I thought of this as I looked at Alec Wyton’s hymn tune he wrote for “Where is this stupendous stranger.” He named the tune Kit Smart after the author.

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I was looking at a congregational hymnal which only has the melody. I noticed that it seemed to be in the Lydian mode.

I pulled out my accompaniment edition and noticed that nowhere does Wyton leave this pitch set. A friend of mine used to criticize my compositions when I didn’t leave the key. Heh.

I think Wyton’s a pretty good composer. I met him once before he died. I drove him to the airport after a workshop. He was charming and could keep up with my gab easily. We talked murder mysteries (Josephine Tey) and music composition (how difficult it was to write hymn tunes). I even yelled at him about what I thought of as “crap” he and others put in the then newly published Hymnal 1982. I have since changed my mind about most of this music and use it with a clear conscious.

Wyton died a few years ago after succumbing to Alzheimers.

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jupe as a busy little beaver



Spent a little over five hours yesterday afternoon finishing up my first draft of possible choral anthems for the entire upcoming season. I finished off with Pentecost 2013. When I looked up from the computer I felt more dazed than triumphant.

For each Sunday and high Holy Day I chose from around five to ten possible anthems.

My plan is to now straighten the choir room and file several years worth of choral music.  Having my hands on the music and physically being in the room seems to always lead to a few more ideas of material to use.

I also found time for a good chunk of working on the Stanford organ piece I am going to perform Sunday.

During the Wednesday Eucharist I vacated the organ bench so as to not disturb the worshipers since the chapel sits right under the organ pipes. I used this time to file anthems in the choir room.

A visit to the farmer’s market brought fresh tomatoes, peaches, chevre and corn.

I was just a busy little beaver yesterday.

After finishing the choral music task, I treadmilled. As Eileen was getting home I was breaking out the grill to cook up the last of the brauts she bought on vacation along with a generous helping of veggies (carrots, potatoes, onions and poblano peppers).

This morning I was reading about the hymns from the great eccentric English poet, Christopher Smart. He has always been a favorite of mine ever since reading his poem, “For I will consider my cat Jeoffry.”

I own a beautiful two volume set of his works published by Oxford. I remember purchasing them at a college library sale in Flint, Michigan. Apparently they have been superseded by a later edition. I remember wondering why a library would be discarding such beautiful books by a great poet. The later edition dates from 1983 which is much later than I purchased the books so they were not  discarding them for that new edition. Hopefully they were duplicates.

I don’t think the Brit J. R. Watson factors in the American Hymnal 1982 when he writes about the use of Smart’s poems as hymns to be sung in worship. He says that a scant one or two of them were included in hymnals. I count six of them in the Hymnal 1982. A little reading shows me that one of the people who helped with the American collection (F. Bland Tucker) was a Smart aficionado and cobbled together at least one new hymn from Smart’s work. I haven’t gone through all six of the hymns in Hymnal 1982 yet but will probably do so.

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Paul Ryan’s Fairy-Tale Budget Plan – NYTimes.com

I recognize the writer of this article, David Stockman, as an influential member of Reagan’s economic team who fell splendidly out of favor when he was quoted at length in an article in the Atlantic. I like his notion that a realistic reform of the “welfare state would require a sweeping, income-based eligibility test, which would reduce or eliminate social insurance benefits for millions of affluent retirees.”

And of course he doesn’t hesitate to point out the inconsistency of Rep Ryan’s voting record on fiscal issues.

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In Cancún, Trying to Protect Reef With Underwater Statues – NYTimes.com

This is an amazing example of contemporary art. More info and pics of  Jason deCaires Taylor’s work at his website: http://www.underwatersculpture.com/index.asp

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