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books, a psalm & bach



Eileen Southern’s Readings in Black American Music arrived in the mail yesterday.

The author, Eileen Southern (1920-2002),  also wrote another book that I own.

musicofblackamericans

The Music of Black Americans.

I was reading in my Hymnal 1982 Companion when the former was cited. I recognized the editor from my history. I was excited that there was a companion of source readings for the book.

I have had admiration for this part of the American tradition for a long time. I love the music and I love the stories.

It fascinates me how so much beauty and art came as a result of the inhumane story of African slaves imported into the New World.

This incongruity is part of the US psyche.

We see it playing out even now in the current election.

keepthewhitehousewhite
Current election bumper sticker

I find reading American history fascinating and informative.

This book mysteriously arrived in the mail this week. I don’t remember ordering it. My daughter, Elizabeth, was active in the NY Occupy Wall Street movement. Either I ordered it and forgot or she ordered and dropped shipped to me because she is currently living in China.

I am now over 200 pages into this, the second volume of Game of Thrones. I have been hooked into the story now. I wonder if I will stay hooked for three more volumes after this one.

s408choral

Yesterday I spent some time deciding how to recommend my parish begin singing the psalm at Eucharist for the first time. I think the “simplified Anglican chant” would be a good place to start. I also thought that since in the Hymnal 1982 when more than one tune is in the hymnal for the same set of words, the editorial policy was to put the recommended one first, we would start with the first one in the hymnal, S 408.

These tunes are designed to be sung in unison by the congregation. However the only version available for putting in the bulletin is a four part one. Weird. I did my own unison version to make it clear.

s408

Then I proceed to “point” it. This means to make clear when change from the reciting note to the final note.

Again I disagree a bit with the editors. They indicated that the principle of changing on the last accented syllable should just be explained to the group. I have found that people interpret this differently. It’s so easy to just point the damn thing.

psalm146pointed

This also prepares for more complicated tones to come.

Finally yesterday afternoon after doing all this work, choosing more organ music to learn and rehearsing upcoming organ music, I settled down and read slowly through two Bach organ works: the A minor BWV 543 Prelude and Fugue

and the fugue from G minor Fantasia and fugue BWV 542.

I read through them slowly for accuracy but not so slowly that I couldn’t hear the music itself. I have been working on the G minor on and off for a week or so.

A sense of well being settled over me as I did this. It was an extraordinary experience. It left me grateful and humbled to be able to be in the presence of such beauty and genius. Bach rocks!

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Greece Moves Quickly to Put Editor on Trial – NYTimes.com

I continue to follow this story. As my friend from Romania once put it, “Don’t you know? All governments are jerks.”

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http://publius.org/

Every election I use this web site. It’s Michigan specific. It gives a complete ballot for upcoming elections. I have been checking it periodically. It has only come up to a working site in the last few days.

If you are in doubt about how to vote, my nephew Ben has helped put together a guide for crazy liberals:

http://mivoterguide.com/

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messy anne



My copy of Jon Gillock’s book Performing Messiaen’s Organ Music: 66 Masterclasses, arrived in the mail yesterday. I think that was partly what inspired me to practice two new movements by Messaien of his Nativity suite. The other inspiration was a passing comment from Rhonda Edgington.

Gillock’s writing is a bit breathless about Messiaen. I had a prof who use to call this kind of writing “purple prose.” Gillock is immersed in the Christian meaning of the work which I guess is helpful. More important for me are Messiaen’s own comments (which are actually in the scores anyway) and other factual information in the book.

I do like books like this in which I can find information (and opinions) to think about concerning pieces I am learning or interested in learning.

messiaennativityindex

Messiaen’s “Nativity” suite has 9 movements as you can see above. This was a relatively early work of this composer and many trained organists learn this music in school. I’m not sure how many of them play them. I would say that many parish organists do not schedule them in their preludes and postludes.

I learned 1 and 2 in undergraduate school Recently I resurrected them and performed them at church. In 2009 I scheduled “La Vierge et l’Enfant” for a little recital I gave at church. I did “Les Bergers” on Christmas Day last year. Then I learned 4 and performed it this year on New Year’s day.

Yesterday I began work on three new ones:

desseinseternels

Desseins Eternels is beautiful to my ears. I almost scheduled it for a week from Sunday but want to get it a bit more in my fingers.

lesenfantsdedieu

Les Enfant de Diue is one I have wanted to learn for a while.  Messiaen used identical harmonic language in both of these pieces. He called it Mode 2. There is a copy of this scale in the scores.

lesanges

Les Anges, the third piece of his I began seriously attacking yesterday, seems to be more about rhythm buy 50 mg valium than scale. Messiaen was big into the Hindu “added-note” rhythms. I haven’t checked but I seem to recall from previous reading that he got all his information about this sort of thing from books.

However he did so, I think the music is very cool. Messiaen seems so tame now.  People with defined classical tastes sometimes object to his music. The apocryphal story I know is that he was unable to use his own music at his church. This is sad because he was obviously a devout dude.

I’m not as devout, but I think his music has something important to say to humans. One organist who attends my church confessed that (supposedly despite her own misgivings about his music) his music worked better for her in church than in recitals.

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Come Ye Back – NYTimes.com

A letter about the tune, “Danny Boy.” I bookmarked it because the Kids’ choir is singing an anthem next Sunday using this tune.

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Greek Editor Arrested After Publishing List of Swiss Bank Accounts – NYTimes.com

Same as it ever was. Arrest the person who exposes the corruption.

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Here are some articles I have bookmarked to go back to and look at, possibly read.

Benoit Mandelbrot, the Father of Fractal Geometry, Pens a Disturbing New Memoir – Tablet Magazine

Los Angeles Review of Books – Literature Is Not Data: Against Digital Humanities

Joyce: Heroic, Comic by Fintan O’Toole | The New York Review of Books

William Styron to Norman Mailer: Two Letters by William Styron | The New York Review of Books

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Dead or Alive by Steve Coll | The New York Review of Books

Book review.

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Beyond the Circle of Hell by Francine Prose | The New York Review of Books

Review of Diaz’s latest collection. Will definitely read his new book.

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The Light Brothers » Counterpunch: Tells the Facts, Names the Names

I love it that the organ dude, David Yearsly, writes a column for the radical left website, Counterpunch.  You have to annoyingly scroll down past a silly letter to get to his column.

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